Search results

• 2024

  Chris Pallant, Beyond Bagpuss: A History of Smallfilms Animation Studio

  Holliday, C., 1 Jan 2024, In: Journal Of British Cinema And Television. 21, 1, p. 111-114

  Research output: Contribution to journal › Review article › peer-review

  Open Access

• Early British animation and cartoonal 'co-conspiracy': the case of Jerry the Troublesome Tyke (1925-1927)

  Holliday, C., 1 Feb 2024, In: Early Popular Visual Culture. 22, 1, p. 26-41 16 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Conspiracy 100%
  • Animation 100%
  • Labour 66%
  • Griffiths 66%
  • Brothers 33%

• Ghosts in the Celluloid: AI Video Dubbing and TrueSync

  Holliday, C., 1 Nov 2024, (Accepted/In press) In: Journal of Cinema and Media Studies.

  Research output: Contribution to journal › Article › peer-review

• Lucas Meets Luxo: Lucasfilm’s Computer Graphics Lab (CGL) and the Development of Pixar Animation Studios

  Holliday, C. & Pallant, C., 14 May 2024, Lucas: His Hollywood Legacy. Ravalli , R. (ed.). University of Kentucky Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Pixar and post-digital studios

  Holliday, C., 1 Oct 2024, (Accepted/In press) The Routledge Companion to Animation. Taberham, P. & Dobson, N. (eds.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• The Digital Domain of Die Another Day (2002)

  Holliday, C., 9 Jan 2024, James Bond Will Return: Critical Perspectives on the 007 Film Franchise. Hines, C., McSweeney, T. & Joy, S. (eds.). Columbia University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• The Girlfriend Action Flick

  Holliday, C., 1 Oct 2024, (Accepted/In press) Action Heroines in the 21st Century: Sisters in Arms. Pheasant-Kelly, F. & van Raalte , C. (eds.). Edinburgh: Edinburgh University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• The Posthumous Voice in Hollywood Animation

  Holliday, C., 1 Oct 2024, (Accepted/In press) The Oxford Handbook of Media and Vocality. Coulthard, L., Montgomery, C. & Spring, K. (eds.). Oxford Univerity Press; Oxford

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• “Man, this would be so much easier if I wasn’t colorblind”: DreamWorks’ Shrek (2001-2010) franchise and Aversive Animation

  Holliday, C., 1 Oct 2024, (Accepted/In press) Two Decades of Shrek. Summers, S. (ed.). Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2023

  Humour for Change? Melting Ice and Environmental Fragility in the Animated Film Comedies Ice Age: Meltdown and Happy Feet 2

  Holliday, C., Jürgens, A.-S., Thaker, P., Judd, K., Fiadotava, A. & Hemkendreis, A., 16 Aug 2023, In: Journal of Science and Popular Culture . 4, 2

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• On Teaching With and About Disney Animation

  Holliday, C., 21 Dec 2023, In: Journal of Cinema and Media Studies. 8, 2

  Research output: Contribution to journal › Article › peer-review

  Open Access

• The Way Toons Tell It: Animation’s Narrative Strategies

  Holliday, C., 29 Aug 2023, Introduction to Screen Narrative: Perspectives on Story Production and Comprehension. Taberham, P. & Iricinischi, C. (eds.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Towards an Anti-Racist Syllabus: Inclusive Pedagogy in Animation Studies and Beyond

  Holliday, C., Sergeant, A., Mihailova, M. & Maier, K., 1 Aug 2023, In: Film Education Journal.

  Research output: Contribution to journal › Article › peer-review

  Open Access

• Walt’s Art History: Late Style, Digital Aesthetics, and the ‘Disney Baroque’

  Holliday, C., 1 Mar 2023, In: Animation: An Interdisciplinary Journal. 18, 1, p. 78-95 18 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Art History 100%
  • Baroque 100%
  • Late style 100%
  • Digital Aesthetics 100%
  • Animation 100%
  1 Citation (Scopus)
• 2022

  Aardman’s Animal Farm: “Loaded” Livestock and Illustrative Aesthetics in Shaun the Sheep (2007-)

  Holliday, C., 2022, Children, Youth, and International Television. Schober , A. & Olson, D. (eds.). Routledge, p. 151-170

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Esthetics 100%
  • Animation 100%
  • Livestock 100%
  • Performance 50%
  • Style 50%

• First Abba, then the Queen – this is why we’re so fascinated with the concept of the hologram

  Holliday, C., 21 Jun 2022, The Independent.

  Research output: Contribution to specialist publication › Article

• Retroframing the Future: Digital De-aging Technologies in Contemporary Hollywood Cinema

  Holliday, C., 27 Jul 2022, In: Journal of Cinema and Media Studies. 61, 5, p. 210-237 28 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Virtual 100%
  • Digital 100%
  • Contemporary 100%
  • Hollywood Cinema 100%
  • Relationships 50%
  2 Citations (Scopus)

• Rhythm and the Rotoshop: Waking Life (2001), A Scanner Darkly (2006) and Rhythmanalysis

  Holliday, C., 2022, ReFocus: The Films of Richard Linklater. Vermeulen , T. & Wilkins, K. (eds.). Edinburgh: Edinburgh University Press, p. 210-233

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2021

  After Disney closed one of its major studios, animation is under pressure in pandemic Hollywood

  Holliday, C., 25 Feb 2021, The Conversation.

  Research output: Contribution to specialist publication › Article

• Introduction: Into the Burning Coals

  Holliday, C. & Pallant, C., 2021, Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy . Holliday, C. & Pallant, C. (eds.). Bloomsbury Academic, p. 1-22

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Rewriting the stars: Surface tensions and gender troubles in the online media production of digital deepfakes

  Holliday, C., Aug 2021, In: Convergence. 27, 4, p. 899-918 20 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  • Digital 100%
  • Online 100%
  • Re-writing 100%
  • Gender Trouble 100%
  • Gender 66%
  14 Citations (Scopus)

• Shrek at 20: celebrating the film’s unique brand of animated anarchy and sardonic irreverence

  Holliday, C., 27 Apr 2021, The Conversation.

  Research output: Contribution to specialist publication › Article

  Open Access

• Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy

  Holliday, C. (Editor) & Pallant, C. (Editor), 2021, Bloomsbury Academic.

  Research output: Book/Report › Book › peer-review

• The Depth Deception: Landscape, Technology and the Manipulation of Disney’s Multiplane Camera in Snow White and the Seven Dwarfs (1937)

  Holliday, C. & Pallant, C., 2021, Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy . Holliday, C. & Pallant, C. (eds.). Bloomsbury Academic, p. 61-77

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Tim Burton’s Unruly Animation

  Holliday, C., 2021, Tim Burton’s Bodies: Gothic, Animated, Corporeal and Creaturely. Pheasant-Kelly , F. & Hockenhull , S. (eds.). Edinburgh: Edinburgh University Press, p. 42-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Two-Metre Television: Style in the Age of Social Distancing

  Holliday, C., 8 Oct 2021, CSTonline (Critical Studies in Television).

  Research output: Contribution to specialist publication › Article

• ‘The Simpsons’ predicted the rise of Kamala Harris – maybe. So why do cartoons have such political potency?

  Holliday, C., 27 Jan 2021, The Independent.

  Research output: Contribution to specialist publication › Article

• “Old Dog, New Tricks”: James Bond’s Digital Chaos

  Holliday, C., 2021, In: The International Journal of James Bond Studies . 4, 1

  Research output: Contribution to journal › Article › peer-review
• 2020

  Between Plasticine and Pixel: Aardman’s Digital Thumbprint

  Holliday, C., 2020, Beyond Stop-Motion Film: Production, Style and Representation in Aardman Animations. Honess Roe, A. (ed.). I.B.Tauris, p. 223-240

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  1 Citation (Scopus)

• Contemporary Hollywood Terrorism and ‘London has Fallen’ cinema

  Holliday, C., 2020, In: The London Journal. 45, 1, p. 146-168

  Research output: Contribution to journal › Article › peer-review

• Frenetic Footwear and Lively Lace-Ups: the Spectacle of Shoes in Golden Age Hollywood Animation

  Holliday, C., 2020, Shoe Reels: The History and Philosophy of Footwear in Film. Wheatley, C. & Ezra, E. (eds.). Edinburgh: Edinburgh University Press, p. 102-124

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• James Bond and Art Cinema

  Holliday, C., 2020, Beyond 007: James Bond Reconsidered. Verheul , J. (ed.). Amsterdam University Press, p. 229-248

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Review: Global Animation Theory: International Perspectives at Animafest Zagreb. Edited by Franziska Bruckner, Nikica Gilic, Holger Lang, Daniel Šuljic, and Hrvoje Turkovic (London: Bloomsbury, 2019)

  Holliday, C., 2020, In: SLAVIC REVIEW. 79, 3, p. 647-649

  Research output: Contribution to journal › Book/Film/Article review › peer-review
• 2019

  In Good Hands: Indexes and Interfaces in A Computer Animated Hand (Ed Catmull & Fred Parke, 1972)

  Holliday, C., 2019, The Crafty Animator: Handmade, Craft-based Animation and Cultural Value . Ruddell, C. & Ward, P. (eds.). Palgrave Macmillan, (Palgrave Animation series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Let it go? Towards a “plasmatic” perspective on Digital Disney

  Holliday, C., 2019, Discussing Disney: New Perspectives in Disney Studies. Davis, A. (ed.). JOHN LIBBEY & CO, p. 115-136

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• "Movin’ to a different beat”: Commercial Pixar and the Simulated Ordinary

  Holliday, C., 2019, Animation and Advertising: Commerce, Persuasion and Appeal . Cook, M. & Moana Thompson, K. (eds.). Palgrave Macmillan, p. 283-298

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Where Conflict Meets Cartoons: Animating the Middle East

  Holliday, C., 29 Jul 2019, Impakter – Global platform for Sustainable News and Products.

  Research output: Contribution to specialist publication › Article
• 2018

  Fantasy/Animation: Connections Between Media, Mediums and Genres

  Holliday, C. (Editor) & Sergeant, A. J. (Editor), Apr 2018, Routledge. 322 p. (AFI Film Readers series)

  Research output: Book/Report › Book › peer-review

  • Genre 100%
  • Animation 100%
  • TV 33%
  • Cinema 33%
  • Collection 16%
  3 Citations (Scopus)

• Features and Shorts

  Holliday, C., 2018, The Animation Studies Reader . Dobson, N., Honess Roe, A., Ratelle, A. & Ruddell, C. (eds.). Bloomsbury Academic, p. 145-156

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• From Buzz to Business: Hollywood, Fantasy, and the Computer-Animated Film Industry

  Holliday, C., 2018, Fantasy/Animation: Connections Between Media, Mediums and Genres. Holliday, C. & Sergeant, A. (eds.). Routledge, p. 210-226 26 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

• Introduction: Approaching Fantasy/Animation

  Alexander Sergeant & Holliday, C., 2018, Fantasy/Animation: Connections Between Media, Mediums and Genres . Holliday, C. & Sergeant, A. (eds.). Routledge, p. 1-19 20 p. (AFI Film Readers series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  1 Citation (Scopus)

• London, the Post-7/7 Bond Films and Mourning Work

  Holliday, C., 18 Apr 2018, (E-pub ahead of print) In: JOURNAL OF POPULAR FILM AND TELEVISION. 46, 1, p. 56-63 8 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Labour 100%
  • London 100%
  • Mourning 100%
  • Bond film 100%
  • era 40%
  5 Citations (Scopus)

  274 Downloads (Pure)

• Pixar’s America: The Re-Animation of American Myths and Symbols. By Dietmar Meinel (London: Palgrave Macmillan, 2016)

  Holliday, C., 12 Mar 2018, (E-pub ahead of print) In: Animation: An Interdisciplinary Journal. 13, 1, p. 88-90 3 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

  File
  285 Downloads (Pure)

• The Computer-Animated Film: Industry, Style and Genre

  Holliday, C., 2018, Edinburgh: Edinburgh University Press. 240 p.

  Research output: Book/Report › Book › peer-review

  • Style 100%
  • Genre 100%
  • Context 33%
  • Animation 33%
  • Books 16%

• Toying with Performance: Toy Story, Virtual Puppetry and Computer-Animated Film Acting

  Holliday, C., 2018, Toy Story: How Pixar Reinvented the Animated Featur. Smith, S., Brown, N. & Summers, S. (eds.). Bloomsbury Academic, p. 87-104 18 p. (Animation - Key Films).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
• 2017

  Combining Nemo: Pixar Home Media and the DVD of Narrative Integration

  Holliday, C., 2017, DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption. Wroot, J. & Willis, A. (eds.). Palgrave Macmillan, p. 53-72

  Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

  • Integration 100%
  • Digital Video 100%
  • Pixar 100%
  • Digital 20%
  • Structure 20%

• Pulling Focus: Photorealist Detailing in Pixar Animation Studios’ A Bug’s Life (1998)

  Holliday, C., 2017, Peephole Journal.

  Research output: Contribution to specialist publication › Article
• 2016

  Animated Landscapes: History, Form and Function. Ed. Chris Pallant (New York: Bloomsbury, 2015)

  Holliday, C., 2016, In: Animation: An Interdisciplinary Journal. 11, 2, p. 211-214 4 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• Kidding Around: The Child in Film and Media. Eds. Alexander N. Howe and Wynn Yarbrough (London & New York: Bloomsbury, 2014)

  Holliday, C., 2016, In: Journal of American Studies of Turkey. 43, p. 45-48 4 p.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• “I’m not a real boy, I’m a puppet”: Computer-Animated Films and Anthropomorphic Subjectivity

  Holliday, C., 1 Nov 2016, In: Animation: An Interdisciplinary Journal. 11, 3, p. 246-262 17 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Puppet 100%
  • Digital 50%
  • Atom 50%
  • Nonhuman 50%
  • Virtual 25%
  9 Citations (Scopus)

  574 Downloads (Pure)