Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy: Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege.

Michael Fend

Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy: Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege.

Music

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	Cosimo Bartoli (1503-1572)
Editors	Francesco Fiore
Place of Publication	Florence
Publisher	Leo S. Olschki
Pages	131-139
Number of pages	9
ISBN (Print)	978-8822260826
Publication status	Published - 2011

Cite this

Fend, M. (2011). Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy: Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege. In F. Fiore (Ed.), Cosimo Bartoli (1503-1572) (pp. 131-139). Leo S. Olschki.

Fend, Michael. / Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy : Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege. Cosimo Bartoli (1503-1572). editor / Francesco Fiore. Florence : Leo S. Olschki, 2011. pp. 131-139

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Fend, M 2011, Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy: Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege. in F Fiore (ed.), Cosimo Bartoli (1503-1572). Leo S. Olschki, Florence, pp. 131-139.

Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy: Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege. / Fend, Michael.
Cosimo Bartoli (1503-1572). ed. / Francesco Fiore. Florence: Leo S. Olschki, 2011. p. 131-139.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

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T1 - Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy

T2 - Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege.

AU - Fend, Michael

PY - 2011

Y1 - 2011

M3 - Chapter

SN - 978-8822260826

SP - 131

EP - 139

BT - Cosimo Bartoli (1503-1572)

A2 - Fiore, Francesco

PB - Leo S. Olschki

CY - Florence

ER -

Fend M. Cosimo Bartoli and the Language of Musical Experience in Sixteenth-Century Italy: Bartoli is shown as the first author in early modern Europe to have accorded instrumental music the status of deserving "attention"; the rhythmic freedom in Francesco da Milano's lute fantasies may have been the cause for this privilege. In Fiore F, editor, Cosimo Bartoli (1503-1572). Florence: Leo S. Olschki. 2011. p. 131-139