Abstract
An investigation of musical thinking by Italian writers between ca. 1550 and 1610 concerning a gradual acceptance of aesthetic value judgements.
| Translated title of the contribution | Stipulations of the 'offended ear'. Italian Theory of Counterpoint between Vicentino and Artusi |
|---|---|
| Original language | German |
| Title of host publication | Handbuch der Musik der Renaissance 2. Komponieren in der Renaissance. Lehre und Praxis |
| Editors | Michele Calella |
| Place of Publication | Laaber |
| Publisher | Laaber |
| Pages | 173-216 |
| ISBN (Print) | 978-3890077024 |
| Publication status | Published - 2013 |