Abstract
This chapter examines Yoko Tawada’s short prose collection 'Opium für Ovid. Ein Kopfkissenbuch von 22 Frauen' (Opium for Ovid: A Pillow Book by 22 Women, 2000) to consider its experimental contribution to the modern German-language canon. The cycle is read as an early example of the literary challenge to anthropocentric models that has become prominent in Tawada’s acclaimed recent work. Using a Deleuzian framework, the chapter will focus on the central significance of metamorphosis throughout Tawada’s cycle to illuminate its portrayal of human subjects as constantly shifting assemblages of forces. The fragmentary and imagistic mode of the short prose form will ultimately be understood to drive an anti-representational project that challenges static identity constructs and categories.
Original language | English |
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Title of host publication | The Short Story in German in the Twenty-First Century |
Editors | Lyn Marven, Andrew Plowman, Kate Roy |
Place of Publication | Rochester, NY |
Publisher | Camden House |
Chapter | 11 |
Pages | 211-230 |
Number of pages | 20 |
ISBN (Print) | 9781640140462 |
Publication status | Published - 15 Dec 2020 |
Keywords
- short prose
- Yoko Tawada
- metamorphosis
- Deleuze
- becoming
- German literature