“Rastrierte Blätter, aber mit keiner Note beschrieben”: the Musical Sublime and Aporias of Inscription in Hoffmann’s Ritter Gluck

Research output: Contribution to journalArticlepeer-review

Original languageEnglish
Pages (from-to)412–30
JournalGERMAN QUARTERLY
Volume83
Issue number4
Publication statusPublished - 2010

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