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Romantic Empowerment at the Paris Opera in the 1770s and 1780s
Michael Fend
Music
Centre for Enlightenment Studies
Research output
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Contribution to journal
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Article
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peer-review
3
Citations (Scopus)
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Arts and Humanities
1770s
100%
1780s
100%
Aesthetic Space
50%
Arts
50%
Bourgeois
50%
Charles de Montesquieu
50%
Criticism
50%
Empowerment
100%
Expectation
50%
German writer
50%
Historiography
50%
History
50%
Honor
50%
Independence
50%
Instrumental Music
50%
Late Eighteenth-century
100%
Libretto
50%
Norms
50%
Opera
100%
Operation
50%
Paris Opera
100%
Political Virtue
50%
Reality
100%
Rebellion
50%
Reinhart Koselleck
50%
Republican
50%
Romanticism
100%
Social Attitude
50%
Spirit
50%
Subject
50%
Utopian
50%