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Abstract
This essay offers a survey of the presence of Peru as the basis, the place and a theme in the works of Peruvian writer and artist Jorge Eduardo Eielson contextualising this presence in relation to European twenty century trends and Eielson's interest in pre-Columbian cultural traditions.
| Translated title of the contribution | Gestures that Repare the Fabric of the Infinite: Jorge Eduardo Eielson and Peru |
|---|---|
| Original language | Spanish |
| Title of host publication | Eielson |
| Place of Publication | Lima, Peru |
| Publisher | Museo de Arte de Lima |
| Number of pages | 11 |
| Publication status | Published - Feb 2018 |
Keywords
- Jorge Eduardo Eielson
- Peruvian 20th Century Art
- Peruvian Art
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‘Los años cuarenta: los poetas de posguerra, la república ácrata y la construcción de una poética peruana moderna’
Translated title of the contribution :'The 1940s: the Postwar Poets, the Anarchistic Republic and the Construction of a Modern Peruvian Poetics' Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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De ultramodernidades y sus contemporáneos
Translated title of the contribution :On Ultramodernities and Their Contemporaries Research output: Book/Report › Book
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Una catedral ultramoderna para quienes se incorporan a la escritura occidental: Jorge Eielsonen la contemporaneidad europea de posguerra
Translated title of the contribution :An Ultramodern Cathedral for Those Who Join up Western Writing: Jorge Eielson Within Postwar European Contemporanity Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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